Current Issue

Volume 44 Number 2

Cover:  Italian movie poster for Ken Russell's 1969 movie adaptation of "Women in Love"

Special Issue on D. H. Lawrence’s  Women in Love 

EDITOR'S CORNER

ARTICLES:

Stefania Michelucci, “…'The Going Round/And Round and Round…/Until Merely Going Round is a Final Good': D. H. Lawrence’s Women in Love in a European Modernist Perspective”

 

Adam Parkes,  “The ‘Ache’ of Nostalgia in D. H. Lawrence’s Women in Love”      

Chloe Leung, “Narrative Dis-ease: Stream-of-Unconsciousness and the Corporeality of Disability Metaphors in D. H. Lawrence’s Women in Love

                                       

Aaron Botwick, “The Gospel of the Death Drive: Blood Knowledge and Suicide in D. H. Lawrence’s Women in Love” 

 

Harry Acton,  “Reading the Nonhuman in D. H. Lawrence’s Studies in Classic American Literature and Women in Love

 

POETRY:

 

Angelo Nikolopoulus, “This Closed Curtain”


FROM THE ARCHIVES:

George Ford on the “Prologue” to D. H. Lawrence’s Women in Love  (1963)

THEATRE REVIEWS:

Richard A. Kaye reviews “The Daughter-in-Law” 

      (Mint Theater, New York City,  February 8-March 20, 2022)


BOOK REVIEWS:

 

  • Review/Essay: Paul Frantz on What Was Impressionism? by Michael Fried

 

  • James Moran reviews The Edinburgh Companion to D. H. Lawrence and the Arts, eds. Catherine Brown and Susan Reid

 

  • Judith Ruderman reviews Modernism and Physical Illness: Sick Books by Peter Fifield

 

  • Helen Wussow reviews The Sensuous Pedagogies of Virginia Woolf and D. H. Lawrence by Benjamin D. Hagen

 

  • Michael Ross reviews Decadence in the Age of Modernism, eds. Kate Hext and Alex Murray

  • Carol Siegel reviews Ordinary Masochisms: Agency and Desire in Victorian and Modernist Fiction by Jennifer Mitchell

  • Brian Finney reviews The Many Drafts of D. H. Lawrence: Creative Flux, Genetic Dialogism, and the Dilemma of Endings by Elliott Morsia

 

  • Keith Cushman reviews Burning Man: The Trials of D. H. Lawrence by Frances Wilson

IN MEMORIAM:

 

Earl Ingersoll by Keith Cushman and Michael Squires

Editor: Richard A. Kaye

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